Intro
These guidelines provide direction for project teams and consultants undertaking cost benefit analyses on cultural infrastructure projects in Western Australia.
It is intended that these guidelines help streamline the non-market valuation process, promote consistency across project and support informed decision-making, efficient resource allocation, and successful project outcomes.
While there are a range of ways to capture the non-market value of cultural infrastructure, these guidelines focus on contingent valuation. For further information, see the Discussion Paper.
These guidelines provide instructions to:
By outlining a structured approach to undertaking a contingent valuation survey, these guidelines ensure all relevant factors are considered and that the contingent valuation survey is undertaken at a high standard. This helps to mitigate the risk of oversight or omission of critical considerations that might undermine the veracity of the survey results during the Cost Benefit Analysis (CBA) process.
The objectives of the guidelines are to:
These guidelines serve as a tool for supporting consistency and coherence of approach. By achieving a more consistent and coherent approach, decision makers can be more confident that investments are directed towards initiatives that deliver maximum value and benefit to Western Australia.
Engagement with Treasury early in the development of the business case is recommended to ensure that the level and detail of economic analysis appropriately reflects the size, complexity, risk profile, nature and cost of the proposal.
A qualitative assessment of the costs and benefits to the community is sufficient for most lower value, lower risk proposals. Cost Benefit Analyses (CBA), expressed in monetary terms, as far as possible, are to be undertaken for high-value, high-risk proposals.
The development of these guidelines involved a comprehensive desktop review of similar guides as well as consultation with other government agencies within Western Australia. Consultation was undertaken with Daria Incarnato and Augustin Lagarde from Simetrica-Jacobs, with First Nations guidance from Moodjar Consultancy provided as part of the development of the contingent valuation for Perth Cultural Centre. There are currently no guidelines in Australia specifically for contingent valuation of cultural infrastructure.
The Treasury Strategic Asset Management Framework (SAMF) guidelines note the need for the inclusion of a social impact analysis in a CBA, identifying the sectors of the community that would gain, and which (if any) would lose by each shortlisted option. Common social impacts include urban amenity, heritage, sustainability, Native Title, quality of life, health and safety, intangible economic impacts (e.g. business confidence or state development), and law and order. Where possible and pragmatic to do so, it is recommended to monetise the social and environmental impacts. If impacts cannot be monetised, a qualitative assessment is appropriate.
Furthermore, with regards to economic analysis, where possible, agencies are encouraged to provide quantitative information, even if it is not monetised, that assists in evaluating the economic impacts of the proposal. It is appropriate to supplement the quantitative information with further qualitative economic analysis.
According to Infrastructure Australia’s Assessment Framework, where market prices or values are not available, applicants must provide the rationale for the technique/parameters chosen and the prediction of the scale of the benefits relative to each specific proposal.
The 2 broad techniques used in Australia for putting a dollar value on impacts that are not traded in a market are ‘revealed preference’ and ‘stated preference’ techniques.4 Both seek to measure willingness to pay (WTP). The WTP helps estimate in monetary terms the value held by individuals for the good in question, that is not fully captured in market transactions (if there are any).5
The key difference between revealed preference and stated preference is that revealed preference techniques estimate WTP based on households’ preferences that are revealed by choices made in real markets, whereas stated preference methods assess households’ preferences through their choices stated in a survey context.
Revealed preference methods are generally preferred to stated preference methods, as revealed preference methods tend to be more reliable, given they are more closely related to market prices and observed behaviour, however, they do not account for non-use value. For this reason, stated preference is preferable in the arts and culture context.
Stated preference approaches use data from a hypothetical market gathered using a survey and can therefore measure demand for goods and services that have not yet gone to market or that are not traded in a market. It relies on asking people hypothetical questions to see how they respond to a range of choices, and thus to establish the extent of collective WTP for a particular attribute or benefit.
The primary disadvantage of stated preference methods is that potential bias can occur when participants do not feel obligated by the financial constraint constructed in the hypothetical market or do not consider the full range of choices or their budget constraint when answering the survey. Stated preference valuation techniques are complex and generally need to be undertaken by specialists. Using a sound methodology, including extensive testing of the questionnaire, is critical to ensure the credibility of the results.
A realistic payment mechanism, such that respondents consider their budget constraints as per any traditional market transaction, is critical to attaining robust results from stated preference surveys. The accuracy of stated preference approaches is highly dependent on survey design and the types of outcomes being valued (value estimates for unfamiliar outcomes may be less accurate). It is essential that the application of the approach in the submission is applied transparently.
These guidelines help provide the rationale for the technique chosen, contingent valuation, and ensure the approach to data collection and analysis is presented transparently.
It is important to note that Infrastructure Australia urges strong caution for projects that rely on a large proportion of value that is captured by non-market valuation methods.6
Contingent valuation estimates how much consumers are willing to pay (or accept) to retain (or avoid) something.
The survey format may be binary with a yes/no response applied to a specific policy change at a given price or range of prices.7 Alternatively, respondents are directly asked for their WTP either guided by a range of plausible values or through a free form. Questions may take the form ‘what is the maximum you would be willing to pay?’ or ‘are you willing to pay $X?’.8
Ticketed institutions, such as theatres, have market values. However, considering only the market value could lead to an underestimate of the full public value of a cultural institution. The WTP value estimated from contingent valuation research is best framed as above any payment to a ticketed performance.
The WTP estimates should be collected from visitors (for example, use value from visitors), and non-visitors to truly capture the overall value of a site (see table 1).
Appropriate survey design is essential to prevent potential bias in the ordering of questions and valuation scenarios.
The following guidelines provide examples of best practice.
It is recommended that advice be sought from professionals in the preparation and analysis of survey results.
It is highly recommended that an initial survey pilot be undertaken to test the survey design and obtain feedback from respondents.
The following headings provide information with regards to specific elements of the survey:
The design of an economic valuation survey to capture the right approach should undertake consultation with First Nations people of the Country where the cultural infrastructure is located.
In the PCC example, feedback was sought from Moodjar consultancy, led by Emeritus Professor Dr Len Collard, an academic with expertise in Aboriginal Studies and Nyungar theoretical and applied research models. Dr Collard is also a Traditional Owner of the area on which the Perth Cultural Centre is situated.
The addition of specific questions can assist to make the survey more accessible for First Nations people.
In the first instance, relevant elements and questions may include:11
An Acknowledgement of Country began the contingent valuation survey for the valuation of the Perth Cultural Centre in both the English and Noongar languages. For example:
The Department of Local Government, Sport and Cultural Industries acknowledges Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of Australia and recognises their ongoing role, responsibilities and continuing connection to land, waters and culture. We acknowledge the Whadjuk People as the Traditional Custodians of the land on which the Perth Cultural Centre is located. We pay our respects to Elders past, present and emerging.
Ngulluckiny moort nitja mia Perth Cultural Centre mia katitjiny Whadjuk Noongar Boordier nitja boodjar ngulluckiny nyinniny. Ngulluckiny katitj buranginy quop koorndan noonar Noongar birdier buranginy moorditj woorlbirniny wer doordook nitja birrit boodjar.
Define important terms such as arts, culture and cultural heritage. For example:
In this survey, we will be asking you to consider the values you hold for arts and culture (i.e., going to the theatre, viewing artworks, looking at historical artefacts) and cultural heritage (i.e., the heritage and stories of the land on which these sites sit). We want you to consider both the values you hold for arts and culture, and cultural heritage in the value of place.
By continuing this survey, you acknowledge that you understand and will consider both kinds of values.
Ask survey respondents whether they identify as an Aboriginal and/or Torres Strait Islander person and, if so, which group/s they identified with.
Ask survey respondents whether they recognise the traditional Country they are residing on and to provide the traditional name if they know it.
Following the presentation of the site information, present respondents with information on the significance and historical use of the land on which the site is located.
For example, with regards to the Perth Cultural Centre:
The Perth Cultural Centre sits on a significant cultural site to the Noongar people. This land has important cultural heritage.
Survey respondents are asked how familiar they are with the history of Noongar Whadjuk people and how important they believe it is to provide more information and visible representation of Noongar culture on the site.
Respondents were also asked specifically about their attitudes towards First Nations’ arts and culture. Table 2 shows that most respondents believed it important to provide more information and visible representation of Noongar culture in the PCC (79% across visitors and 57% across non-visitors). A small portion were familiar with the site’s history, and the cultural significance to Noongar Whadjuk people (12% across visitors and around 6% across non- visitors). Intuitively, a larger portion of visitors (72%) than non-visitors (45%) had a keen interest in the arts and culture of First Nations within Western Australia. Around a quarter of respondents (across visitors and non-visitors) growing up had been taken to places of First Nations cultural and heritage significance. This is significantly lower than the portion of respondents that had been introduced to art growing up.
Validity testing, as per best practice in contingent valuation,12 includes:
To undertake validity testing, a range of questions are required which explore respondents’ demographics, previous cultural engagement, and follow up questions to understand their willingness to pay.
Using multivariate regression analysis, the willingness to pay figures were explored for theoretically consistent drivers of WTP values in ways that accord with prior expectations and previous findings from the literature. Table 3 presents the results with respect to visitors and non- visitors. This is an important test of the validity of the results obtained. WTP an annual state levy on behalf of their household for the PCC was positively and significantly associated with household income for visitors and with employment for non-visitors. This is in line with previous findings in the cultural economics literature.13
Listing arts and culture in one of the top five areas for public spending was positively and significantly associated with WTP for visitors. Being taken to art or cultural sites when growing up was positively and significantly associated with WTP for non-visitors. Having a keen interest in the art of Western Australia was positively and significantly associated with WTP across both visitors and non-visitors. This is in line with other CV studies which tend to find a positive and significant relation between WTP and attitudes more generally towards arts and culture.14
The model fit (Adjusted R-squared) was lower than previous research studies conducted on behalf of DCMS and Arts Council England, however broadly in line with their recent benefit transfer reports.15
Notes: *** significance at <1%** significance at <5%* significance at <10%
Heteroskedasicity-robust standard errors
Respondents are asked preliminary questions about:
In relation to the sites they visited, ask respondents:
Data collection took place in August and September 2022, shortly after the reopening of museums, theatres and galleries following the COVID-19 lockdowns in Australia. This is likely to have had an impact on the reported visitor numbers. Overall, respondents were asked about their physical visits over the past three years. Three years was a more liberal period to use (compared with, say, one year), given that so many arts and cultural organisations had been closed for large periods in this time.
The COVID-19 context likely had an impact on attitudes towards culture and heritage, with a stronger public focus towards supporting the health and wider economy sectors with 91% of respondents listed health as one of the top five areas for public funding. Table 5 shows that when asked which top five areas should be prioritised for public funding, 58% of visitors and 19% of non-visitors listed arts, culture and heritage.
As Table 5 shows, most respondents had been taken to art galleries and museums by their parents, guardians, or school before they turned 15 years old. This suggests that respondents have had long-term engagement with arts and cultural organisations (particularly with respect to visitors).
Most respondents had a keen interest in the arts and culture of Western Australia (87% across visitors and 55% across non-visitors). A portion of respondents were a member of a cultural organisation (32% across visitors and 8% across non-visitors) suggesting these respondents had some broader engagement with culture or the environment beyond the PCC.
To explore potential biases or misinterpretations of the questions, the survey should include follow-up questions related to the individual’s WTP responses. These follow-up questions help to determine the content validity of the WTP estimates.
For example, these may include questions such as those in Table 6.
The content validity of the WTP estimates was verified using follow-up questions which investigated how certain visitors were that they would be willing to pay for the PCC. Respondents were asked this about their initial stated WTP amounts and in relation to their modified WTP amounts (if indeed the respondent had modified the WTP amounts). Table 7 shows that most visitors and non-visitors were certain both initially and with their modified amounts that they would really be content to pay this annual state levy.
Note that those respondents who were 0% certain they would be willing to pay were flagged for potential screen-out.
Respondents were also asked why they were willing or why they were not WTP the annual state levy (Tables 8 and 9).
When respondents were asked to provide their motivations behind why they were willing to pay the state levy, the most frequently selected reason for visitors (29%) was that their willingness to pay was not just for the PCC, but also an expression of their support for all arts and culture in the area. This suggests that the wider arts and culture in the area is considered in their stated WTP value for the PCC. The implication is that at least 45% of respondents (across both visitors and non-visitors) provided values that strictly speaking were out of scope of the study given that the valuation scenario asked respondents to consider what they would be willing to pay for the PCC (and its seven sites) only. However, most of the art and cultural sites within the central Perth area are located within PCC, which may have an impact on the popularity of the response. The second most common selected reason for visitors (20%) was that PCC is an important arts and cultural site that should be protected. The most frequently selected reason for non- visitors’ willingness (22%) was that having the PCC in Perth contributes to the identity of the city.
Those respondents who were not certain they would have to pay (i.e., those who selected ‘I don’t believe that I would really have to pay’ as the reason behind their WTP value) were flagged for screen-out (n=21). This provides comfort that most respondents viewed the scenario as realistic.
For those not willing to pay, the most frequent selected reason for visitors (25%) was I am already contributing enough to arts and cultural organisations through my taxes. For non- visitors, the most frequently selected reason (44%) was ‘there are more important things to spend my money on than the PCC.’ Again, this may reflect some other concerns at the time of data collection (such as public health concerns).
To ensure validity of the results, survey responses need to be reviewed, and inadequate responses removed from the sample. Underage, spam and duplicate responses should be removed from the outset.
Other responses should be removed if they are:
Data cleaning is undertaken so to have a more robust set of responses that provide greater confidence in the WTP estimates.
Appropriate sampling (ensuring representativeness of the sample) enables robust estimates regardless of split between visitors and non-visitors.
A sampling approach of 50/50 (half visitors, half non-visitors) should be used for sites of state importance
For the pilot stage a sample of between 50-100 respondents should be targeted. If the pilot responses are deemed suitable, these can be included in the overall sample of 1,000 respondents.
This sample should be cleaned to ensure reliable responses, resulting in a smaller final sample size.
Table 11 below provides guidance on how to include the public value of a local site in social cost benefit analysis.
wi = pi / si
Sociodemographic information was elicited from survey respondents, as is common practice in CV surveys. Table 12 shows a comparison on the weighted characteristics between those who have visited any facility of PCC the last three years (visitors) and those who have not (non-visitors).
It is important to note that a low number of respondents self-identified as Aboriginal and Torres Strait Islander (n=32, 3% of total respondents). An analysis for those respondents was not included in our results as the low sample size would not provide robust results.
As illustrated below, the annual household income is greater for visitors than for non-visitors, and the portion of visitors that have a degree qualification is greater for visitors compared to non-visitors. This result is in line with previous contingent valuation studies for cultural engagement, where it has been reported that people with higher education qualifications and income tend to engage with culture more.
A benefit transfer is the exercise of taking estimated WTP values from existing sites (study sites) and applying them to another comparable site (policy or business case site). This method allows previously estimates valued to be transferred onto other sites. This reduces the need for additional primary data collection and survey design.
There are some different types of benefit transfers. For example, a simple unit transfer, relates to transferring the pooled average study site visitor and non-visitor WTP values to comparable sites. Conversely, adjusted transfer relates to adjusting the pooled average study site WTP values by the income differences between the visitors and non-visitor populations surveyed in the study sites and the income of policy site populations. The transfer of values into business cases should always be performed with the support of an appropriately qualified professional.
This can be used in a business case.
A benefit transfer is a recognised method by Infrastructure Australia. It may be appropriate to transfer an average willingness-to-pay estimate from one primary study, transfer willingness-to-pay estimates from many studies, or transfer a willingness-to-pay function. The first option is the most practised.
In the context of culture, however, it is expected that no two institutions are the same. It is therefore recommended that at least four source sites are used to transfer the value onto the valuation site. By obtaining WTP values for similar sites we can derive an average WTP value that can be transferred and applied to the business case site (the institution that you want to value in your business case or social cost benefit analysis). It is imperative that the business case site is comparable to the set of source sites used to derive the average WTP value.
To undertake a benefit transfer:
408,597 households of non-visitors within the catchment area (510,746 total catchment area households – 20% as possible visitors)
Note: This example is taken from research produced for Arts Council England which used a combination of individual level payments for visitors and household payments for non-visitors.23